There is a place in you…
“The 14th century mystic, Meister Eckhart, said, ‘There is a place in the soul that neither time, nor space, nor no created thing can touch.’ What this means is that your identity is not equivalent to your biography. There is a place in you where you have never been wounded, where there is still a sureness in you, where there’s a seamlessness in you, and where there is a confidence and tranquility in you. And I think the intention of prayer and spirituality and love is, now and again, to visit that inner kind of sanctuary.”
John O’Donohue, speaking to Krista Tippet in 2008
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"The Way It Is" by William Stafford There’s a thread you follow. It goes among things that change. But it doesn’t change. People wonder about what you are pursuing. You have to explain about the thread. But it is hard for others to see. While you hold it you can’t get lost. Tragedies happen; people get hurt or die; and you suffer and get old. Nothing you do can stop time’s unfolding. You don’t ever let go of the thread.
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“The Second Music” by Annie Lighthart Now I understand that there are two melodies playing, one below the other, one easier to hear, the other lower, steady, perhaps more faithful for being less heard yet always present. When all other things seem lively and real, this one fades. Yet the notes of it touch as gently as fingertips, as the sound of the names laid over each child at birth. I want to stay in that music without striving or cover. If the truth of our lives is what it is playing, the telling is so soft that this mortal time, this irrevocable change, becomes beautiful. I stop and stop again to hear the second music. I hear the children in the yard, a train, then birds. All this is in it and will be gone. I set my ear to it as I would to a heart. from Annie's collection, Iron String © Airlie Press, 2015.
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“That which is essential never imposes itself.
That which is inessential is constantly imposing itself.”
- James Finley
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Passage for Lectio Divina
Matthew 6:25-33
Jesus said, "I tell you, do not worry about your life, what you will eat or what you will drink, or about your body, what you will wear. Is not life more than food, and the body more than clothing? Look at the birds of the air; they neither sow nor reap nor gather into barns, and yet your heavenly Father feeds them. Are you not of more value than they? And can any of you by worrying add a single hour to your span of life? And why do you worry about clothing? Consider the lilies of the field, how they grow; they neither toil nor spin, yet I tell you, even Solomon in all his glory was not clothed like one of these. But if God so clothes the grass of the field, which is alive today and tomorrow is thrown into the oven, will he not much more clothe you—you of little faith? Therefore do not worry, saying, `What will we eat?' or `What will we drink?' or `What will we wear?' For it is the Gentiles who strive for all these things; and indeed your heavenly Father knows that you need all these things. But strive first for the kingdom of God and his righteousness, and all these things will be given to you as well."
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“Bedside Manners”
by Christopher Wiseman
How little the dying seem to need—
A drink perhaps, a little food,
A smile, a hand to hold, medication,
A change of clothes, an unspoken
Understanding about what's happening.
You think it would be more, much more,
Something more difficult for us
To help with in this great disruption,
But perhaps it's because as the huge shape
Rears up higher and darker each hour
They are anxious that we should see it too
And try to show us with a hand-squeeze.
We panic to do more for them,
And especially when it's your father,
And his eyes are far away, and your tears
Are all down your face and clothes,
And he doesn't see them now, but smiles
Perhaps, just perhaps because you're there.
How little he needs. Just love. More Love.
from In John Updike's Room
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“The Hundred Names of Love” by Annie Lighthart The children have gone to bed. We are so tired we could fold ourselves neatly behind our eyes and sleep mid-word, sleep standing warm among the creatures in the barn, lean together and sleep, forgetting each other completely in the velvet, the forgiveness of that sleep. Then the one small cry: one strike of the match-head of sound: one child’s voice: and the hundred names of love are lit as we rise and walk down the hall. One hundred nights we wake like this, wake out of our nowhere to kneel by small beds in darkness. One hundred flowers open in our hands, a name for love written in each one. from Iron String © Airlie Press, 2015